:54:02
Chili Palmer told me
when he called me over to talk about it.
:54:07
He showed you my script?
:54:09
Yeah. I was wondering
why he would do that.
:54:13
The wife sues the airline?
Some gutsy babe!
:54:17
Good looking, too, like Karen.
:54:19
When do I meet the husband
and give him the look?
:54:22
That's not so simple.
:54:23
There's a mob guy.
You owe him money.
:54:26
He wants to take you out
because you broke his nose.
:54:30
Keep going.
:54:33
At this point, basically,
that's gotta be it.
:54:36
That's all you'll tell me?
:54:37
The reason we came by
was to talk about Mr Lovejoy.
:54:41
We understand that you read
the script and you loved it.
:54:45
Refresh my memory.
:54:47
Listen, how'd you like
to get your hands on $500,000?
:54:50
Pay me back at your convenience,
no interest.
:54:53
Are you serious?
:54:55
All I want in return
is to work on this movie with you.
:54:58
I've got some ideas
on how to fix it up.
:55:02
Can I get you anything else?
:55:04
Another one for Mr Zimm. A double.
:55:10
You're just going to give me
this $500,000?
:55:12
We'll talk about that
but first I gotta know,
:55:15
how'd you hook up
with this Chili Palmer?
:55:19
Mr Lovejoy was good.
I'll call Buddy, set up a meeting.
:55:23
Who's Buddy?
:55:24
- His agent.
- Karen knows him.
:55:25
You are interested?
:55:26
I'm intrigued.
Take an element of The Cyclone,
:55:30
the way the visual fabric is maintained
:55:33
while the metaphor
plays on different levels.
:55:37
Is this your ride?
:55:38
I like to sit high,
check everything out.
:55:41
It is the Cadillac of mini-vans.
:55:43
Ho...
:55:44
Check this out.
:55:49
Mind if I take it for a spin?
:55:59
He was watching Letterman, huh?