1:00:11
What do you
think of this?
1:00:13
Take a look at this.
1:00:22
You're aiming
specifically
1:00:23
at the hotel-room
market now, huh?
1:00:28
You're right.
It's a hotel-room painting.
1:00:31
That's what it is.
It's terrible.
1:00:33
Look at that.
1:00:35
What happened
to the nudes?
1:00:36
Oh, they
weren't selling.
1:00:38
It's cheaper for guys
to buy Playboy.
1:00:40
This is terrible.
Bon voyage.
1:00:42
I deep-six it.
1:00:44
Sleep
with the fishes.
1:00:46
You're
absolutely right.
1:00:47
I can smell the room service
on that painting.
1:00:50
But, you know,
it's you.
1:00:52
You're around.
That's why I'm painting this way.
1:00:55
You're very unhappy.
1:00:57
You're like the antidote
to exhilaration.
1:00:59
If I take
any more of this in,
1:01:01
I'll be painting
cats and clowns.
1:01:03
Is it Rebecca?
1:01:05
You haven't
heard from her?
1:01:07
No, I haven't
heard from her.
1:01:09
I have told you
1:01:10
so many times,
1:01:12
she refuses to see me.
1:01:13
No. She won't
1:01:15
answer my calls,
1:01:17
reply to my letters.
1:01:19
It's a total...
1:01:21
shutoff.
1:01:22
I've thrown away...
thrown away
1:01:24
the most important
thing in my life
1:01:27
just like that.
1:01:31
You need
a new outlook.
1:01:34
No, no, no.
Don't scoff.
1:01:36
Listen--
Forget about Rebecca.
1:01:38
How could you
1:01:39
say that to me?
1:01:41
You reminded me
1:01:42
she's the most important
1:01:44
thing in my life
1:01:46
just weeks ago.
1:01:47
I never said that.
1:01:49
I never--
I never said that.
1:01:51
You said it
1:01:53
at the tennis court.
1:01:56
Oh, yeah.
1:01:57
So what if I did?
1:01:59
That was then,
but it's over,