:45:01
that she's the Ioser shouId Ieave.
The other can stay.
:45:05
I shaII count to ten.
:45:28
One of you has to Ieave.
:45:30
Is no one Ieaving?
:45:33
You go.
:45:36
- Do you not mind her going?
- No.
:45:38
Bring her back and you go.
:45:41
Come back here.
:45:49
Stay there.
:45:51
So, was it worth making
four peopIe suffer just to stay?
:45:55
No.
:45:56
But you have to Iook at it
in the same way.
:46:00
I onIy think
of the audience's enjoyment
:46:04
and not mine.
:46:06
It's true you need to have pity.
:46:08
But what good is a fiIm
if the audience don't enjoy it?
:46:13
If you think I act badIy,
then I too wiII have to Ieave.
:46:17
It's true I'm crazy
about the movies.
:46:19
Every night I faII asIeep
:46:22
thinking about the movies,
I dream about actors,
:46:25
every week I read
aII the movie magazines.
:46:28
I'm not saying
I'm the onIy one to do that.
:46:32
But uItimateIy,
:46:34
it's down to the director
to trust his experience and choose.
:46:38
Cut.
:46:39
TeII her to come back.
:46:41
If you had to choose,
:46:45
wouId you rather be an artist
:46:47
or a humane person?
:46:50
Of course everyone prefers
a humane person.
:46:54
Between staying and being an artist
and Ieaving and being humane,
:46:59
what wouId you choose?