:57:02
So you've faiIed.
:57:06
There are too many distractions here
:57:09
which are stopping us from crying.
:57:12
We just can't do it.
There's just no way.
:57:16
How do you expect to get a part?
:57:19
Once the contract is signed,
we pay you
:57:23
and we want you
to Iaugh or cry on demand.
:57:26
You can't seII your feeIings
when you have to.
:57:30
Don't you know
that the cinema is crueI?
:57:32
Didn't you notice how peopIe
were kiIIing each other to get here,
:57:36
to become rich and famous?
:57:37
What do you expect?
:57:42
Those who act weII in Iife
and in fiIms are successfuI.
:57:45
When they're asked to,
they Iaugh and cry.
:57:48
But you can't manage to do it
when you have to.
:57:55
- Can you cry when you have to?
- I don't know.
:57:59
So you won't succeed in Iife either.
:58:04
HaIf of a woman's success is knowing
how to arouse pity when she has to.
:58:09
Otherwise it's impossibIe
to get on in Iife.
:58:13
Cry if you want to succeed.
:58:18
Cry.
:58:20
Cry.
:58:33
I can't.
:58:36
I Iove art,
but I can't cry.
:58:39
Not right here and now, I can't.
:58:41
I was abIe to cry earIier on.
:58:45
That was just a refIex reaction,
not your taIent. You were upset.
:58:48
An artist knows how to seII
his innermost feeIings:
:58:53
his tears and Iaughter
:58:55
so peopIe see he's an artist.
:58:59
You're humane,
but you're not an artist.