1:05:07
Come here, Iadies.
1:05:09
Put a camera here.
1:05:11
I'm going to count to ten.
The one who cries wiII be accepted.
1:05:16
Those who don't cry
wiII be refused.
1:05:19
- If an artist isn't abIe to cry...
- ...what's he good for?
1:05:24
Don't put your hands
in front of your faces.
1:05:27
I want reaI tears
1:05:29
or I won't Iet you become actresses.
1:05:31
I've been chosen
1:05:34
to seIect the girIs
who deserve a part.
1:05:39
Why won't you aII cry?
1:05:47
- Do we reaIIy have to cry?
- Whoever cries can stay.
1:05:50
The time's up.
You others can go.
1:05:54
You've faiIed
as far as I'm concerned.
1:05:58
You and you can stay.
You cried.
1:06:02
The others can go.
1:06:04
Can I cry now?
1:06:06
Yes, you can.
1:06:08
I'II give you one Iast chance.
1:06:11
Just ten seconds.
1:06:22
You must cry.
1:06:24
I'm asking you to cry.
I'm the director
1:06:26
and I'm asking you to cry.
So just cry.
1:06:30
Be reasonabIe.
1:06:33
I can't cry now!
1:06:38
I have to know what the fiIm's about
1:06:41
to get into the emotion of it!
1:06:43
It's not that simpIe.
1:06:45
Imagine you're acting in a pIay
and it's a sad scene.
1:06:48
You'd have to cry where
the stage directions teII you to.
1:06:52
Imagine we're the audience.
1:06:54
- Act a sad scene for us.
- I need to be on stage.
1:06:58
- This is the stage here.
- Concentrate!