Flirting with Disaster
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:56:00
Oh, but it was the time and place
to wrestle with her...

:56:03
in San Diego, right, and break
a bunch of glass animals?

:56:06
That's i-- That's fine?
That was a perfect time?

:56:09
-I'm sorry, is this inappropriate?
-Nothing in this house is inappropriate.
We'll be upstairs.

:56:13
You know, I-I'll get the, the bags.
I think I want to lay down too.

:56:17
I bet you would.
:56:20
- Hmm. Hmm.
- Having some problems, huh?

:56:23
Yeah, we're kind of having
a little bit of a--

:56:26
- Yeah. It's, uh--
- This, uh, some kind of
a swapping thing you got here?

:56:29
- That what it is?
- No. No, no, no, no.Just, you know,
there's a little friction, that's all.

:56:33
- I mean, you know--
- And then, and, and
these guys came along with us.
- Well, you know, you know--

:56:36
- You know, marriage is tough.
You just got-- You gotta be
flexible in marriage, right?
- Yeah. Yeah.

:56:40
- This thing is wonderful,
by the way. Who made this?
- That's my work.

:56:42
- Really? You did this? Wow.
- Yeah.

:56:44
- Yeah, I got a blacksmith shop
out in the barn, and I do
my sculptures there...
- Oh.

:56:47
- and Mary throws her pots.
- Great.

:56:49
- Really? She's into,
into pottery? Pottery?
- Oh, she's gonna love showing you
her pottery. Yeah, look at this.

:56:53
- See, this, this is slab construction.
If you can see the--
- Yeah.

:56:56
Uh, when I roll it out, then I have
weeds in with the rolling pin.

:56:58
- I press them right into the surface.
- You know, just ordinary weeds.
- You put the weeds in the clay, yeah.

:57:01
And then when you fire it, the weed--
the weeds burn off. Here, just stick--

:57:03
- See, so where
the weeds were, you get the--
- Stick your fingers in here, you know.

:57:06
- Oh, yeah. Yeah, yeah--
- Now, stick two fingers inside...

:57:08
- and just caress the-- That's it. Now--
- Oh, okay. There you go. Yeah.

:57:11
- Uh-huh. Now feel the texture
on the out-- No, against your face.
- Yeah, so it's much-- Up here.

:57:14
- That texture is--
- Oh, it's kind of--
Yeah, it's very rough.

:57:16
- That texture is really amazing.
- Oh, yeah. Yeah, it's great.
- It looks rough...

:57:18
- but it's very smooth, isn't it?
- Doesn't that feel good?
Isn't it something?
- Right, right, it's smooth.

:57:20
- Smoother than you would think,
but, but still, still really--
- Yeah.

:57:23
This is wonderful. Great stu--
I mean, and you guys, you guys are
making a living through the arts, huh?

:57:27
- Well, we try. We--
Sometimes you have to supplement.
- We try to, but, you know, sometimes--

:57:29
- Yeah, you have to supplement
with other things.
- These are all mine.

:57:32
Every one of them, I made-- Oh, let--
I want to show you a big one I love.

:57:35
This environment is so much more
creative than the one I grew up in.

:57:37
- Oh, thanks. That's nice.
- It's really--
- This is a wood fire process.

:57:41
- Uh-huh. Uh, is this--
- See how this-- Hmm?

:57:43
- Who's that?
- That's our other son.

:57:47
- You mean I have a brother?
- Mm-hmm, mm-hmm.
- You wanna say hello to Lonnie?

:57:50
- Yes. He's been feeling a little
threatened about meeting you,
so be patient.
- Uh-huh.

:57:54
Hi. How you doing? That's
a beautiful song you're playing there.


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