:07:02
- Now what?
- Just you listen.
:07:04
Dick Avery
started working on the pictures.
:07:07
He's more excited about it
than any of us.
:07:09
Here it is. Clothes for the woman
who isn't interested in clothes.
:07:14
Marion, give me a long look.
:07:17
Longer.
:07:21
Steve, tip that back light down
a bit, will you? OK.
:07:27
Hold it, boys.
Beethoven isn't working. Try Brahms.
:07:31
Look, Marion,
I'd like to try it again.
:07:35
This time,
let's see if we can't get with it.
:07:37
Keep in mind
that you're a woman who thinks.
:07:40
That is a piece of sculpture
by ltsabuchi.
:07:43
Look at it as if you understand it.
As if it understands you. See?
:07:51
No, that's not the way we look
when we're thinking of Itsabuchi.
:07:55
React to it. Just... say it.
:07:59
Itsabuchi, hmm?
:08:03
You haven't quite got it.
Now, listen carefully.
:08:07
You are in the Museum of Modern Art,
Marion.
:08:10
Deep, Marion. Profound, Marion.
:08:13
You have come across this statue.
It says something to you
:08:16
because you are intellectual,
always thinking.
:08:20
What are you thinking?
:08:22
I'm thinking
this is taking a long time,
:08:24
and I'll never be able to
pick up Harold's laundry.
:08:28
When Harold doesn't get his laundry,
disaster!
:08:31
If we don't get this fixed, you may
never see Harold again. Let's go.
:08:36
The woman who thinks must come
to grips with fashionable attire.
:08:40
A woman can be beautiful, as well
as intellectual. See facing page.
:08:44
And how is the facing page?
:08:46
The facing page looks
as intellectual as a snake.
:08:49
Nonsense. Marion can be very deep.
:08:52
Look at her. She's reading.
:08:55
Marion, dear, what are you reading?
:08:58
Minute Men From Mars.