:54:09
- Beautiful! I don't believe it.
- Maggie, what did I tell you?
:54:13
You look absolutely fabulous.
How does it feel?
:54:16
It feels wonderful, but it's not me.
:54:18
The hair, the dress. It's perfection.
:54:20
You see how much we accomplish
when you appear?
:54:23
Try to stay with us for a while.
Duval shows the collection on Friday.
:54:27
The night before,
we'll introduce you to the press.
:54:30
It is your opportunity.
It will be your evening.
:54:33
- You will be there?
- Yes, of course.
:54:35
Dick, that gives you a week
to photograph her.
:54:38
I want marvellous pictures.
Give me a lot of pizzazz.
:54:41
Take her, and whatever you do,
don't let her out of your sight.
:54:45
Do what I tell you.
Don't worry about it.
:54:48
Here, hold these balloons high
in the air, and when I say "run",
:54:52
run as fast as you can
and don't let the balloons go.
:54:55
Run as fast as I can
and don't let the balloons go.
:54:58
Right. Now, ready?
:55:00
Head up a little. You're so happy.
:55:03
Allright, run!
:55:05
Run!
:55:06
What? Oh, why did I ever...
:55:09
- What's wrong?
- I don't know which way to go.
:55:11
That way.
:55:13
I'm sorry, I'm nervous.
I've never done anything like this.
:55:16
There's nothing to be nervous about.
You're in Paris, the Tuileries.
:55:20
You've got balloons. There's
a sudden shower. You're very happy.
:55:23
- Why am I so happy?
- Because I say you are.
:55:28
That's all you have to know.
You're happy. Now, run!
:55:32
Great. That's great.
:55:33
Now, stop!
:55:35
Wonderful!
:55:45
Now, today you're not happy.
:55:47
- I'm hurt and...
- Right, a creature of tragedy.
:55:49
Heartbroken, suffering.
You're Anna Karenina.
:55:53
Shall I throw myself under the train?
:55:54
We'll see. For now, just wonderful,
noble self-sacrifice.
:55:59
Your lover
has just kissed you goodbye.