:42:08
[Sobbing]
:42:17
I'm sorry.
:42:21
I'm sorry.
:42:24
[Sobbing]
:42:27
# Oooh #
:42:32
No, no, no, no.
:42:34
[Denise] It's not gonna distort.
I want it in the red.
:42:37
- # Oooh #
- All right, Jay. Help me out, man.
:42:42
I want a high end
on the vocal...
:42:44
and I wanna round out
the bottom on the bass.
:42:46
Whoa, what was that?
Who you talkin' to, huh?
:42:49
Joel, I'm talking to Jay
'cause I need his help on the EQs.
:42:53
As long as it's work-related,
you can talk to dead guys.
:42:55
[Chuckling]
Thanks.
:42:57
Everyone is excited
about this album.
:42:59
You realize that?
Even your old pal.
:43:02
- Who?
- John Murray.
:43:04
- Well, there's a song
about him in here, so...
- A song for everyone...
:43:07
- But the guy who stuck around.
- Joel.
:43:10
[Joel] Even moved out to this
ridiculous town...
:43:12
that doesn't deserve
to be called a city.
:43:14
Joel, let's go to work,
okay?
:43:16
- That's why I'm here.
- Okay.
:43:19
You guys, that was great.
That was great.
:43:23
[Musicians Chattering]
:43:31
Okay, here we go.
Let's try one.
:43:35
Come here, wish me luck,
sweetie pie.
:43:37
[Engineer] "A Boat On The Sea,"
take two. This is piano track only.
:43:40
This one's for you,
Joely.
:43:51
[Over Speaker]
# There's a lamp that won't
light in my poetry room #
:43:55
# And children out playing
and a big full moon #
:43:59
# My man's barricaded
there in his womb #