:14:00
...which means
that they can stop fighting.
:14:04
Now are our brows...
:14:07
...bound with victorious wreaths.
:14:10
Our bruised arms
hung up for monuments.
:14:13
Our stern alarum changed
to merry meetings.
:14:17
What do they do
when the fighting stops?
:14:21
Grim-visaged war...
:14:23
...hath smooth'd his wrinkled front.
:14:26
And now, instead of mounting
barbed steeds...
:14:29
...to fright the souls
of fearful adversaries, he capers...
:14:33
...nimbly in a lady's chamber...
:14:36
...to the lascivious pleasings of a lute.
:14:40
FEMALE SCHOLAR:
And you see lovemaking...
:14:41
...and relations with the other gender...
:14:44
...as what you translate
your male aggressions into.
:14:49
But Richard III has a little problem here.
:14:52
But I...
:14:57
...that am not shaped
for sportive tricks...
:15:01
...nor made to court...
:15:03
...an amorous looking-glass.
:15:07
I, that am curtail'd
of this fair proportion...
:15:10
...cheated of feature
by dissembling nature, deformed.
:15:14
- Deformed.
- He was a hunchback.
:15:16
PACINO:
Deformed. Deformed.
:15:22
Unfinish'd...
:15:25
...sent before my time
into this breathing world...
:15:27
...scarce half made up...
:15:29
...and that so lamely
and unfashionable...
:15:32
...that dogs bark at me
as I halt by them.
:15:37
Why, I, in this weak piping
time of peace...
:15:41
...have no delight
to pass away the time...
:15:45
...unless to see my shadow in the sun...
:15:50
...and descant upon
mine own deformity.
:15:54
Shakespeare has exaggerated
his deformity...
:15:58
...in order to body forth dramatically...