:34:02
...from truth, and that's a problem
for us actors.
:34:06
If we think words are things
and have no feelings in words...
:34:09
...then we say things to each other
that mean nothing.
:34:12
But if we felt what we said,
we'd say less and mean more.
:34:17
Spare some change?
:34:22
Lt'd be interesting to see where he...
:34:26
- Is that possibly...?
- Where Shakespeare was born.
:34:29
PACINO: I think that's Shakespeare
up there in the window.
:34:32
Knock first. Knock, Frederic.
:34:37
PACINO: Hello. Frederic, you've...
KIMBALL: Okay.
:34:40
- Where was William Shakespeare born?
- There's the bed of birth.
:34:45
KIMBALL: You gotta be kidding.
- I wouldn't kid about a thing like that.
:34:49
It's too late.
:34:52
It's a very, very small bed.
:34:54
I was expecting to have an epiphany...
:34:58
...an outpouring of the soul
upon seeing...
:35:01
- Go out and come in again.
- Where he was born.
:35:04
If you're really an actor, you can come
back and have an epiphany. I did.
:35:07
[SIREN WAILING]
:35:08
- Only...
- Did you have one?
:35:10
- I did not see it.
- I'm not showing it. It's an inner one.
:35:13
We're not alone.
:35:15
- Every once in a while...
- There's a fire truck out there.
:35:19
- I think we tripped an alarm.
- We should pause and think...
:35:22
You talked too loud
and it set off an alarm.
:35:26
MAN 7: Fire alarm. I got the fire officer.
KIMBALL: We set it off.
:35:30
PACINO: There's a fireman. Oh, yes.
- Hello.
:35:33
Unfortunately, the sensor head is here.
There.
:35:37
That's going to be the problem.
:35:41
Yeah? What is it? Is it...?
:35:44
That's a real bummer.
:35:46
We come 6000 miles to see
where he was born...
:35:49
FEMALE SCHOLAR:
It's the greatest period in British arts.
:35:53
This extraordinary development
and maturing and death of drama.
:35:56
In 20 years, Shakespeare's over.
:35:59
You have our greatest drama.