:36:01
And Shakespeare learns incredibly fast.
:36:03
Already, in this very early play,
he's thinking about people as actors...
:36:08
...and about the stage.
:36:10
And the imagination as a bit of life.
:36:15
Hey, Jimmy?
How's the sandwich?
:36:21
We're gonna bite the bullet
and do Act 2 of the play.
:36:25
What we said was,
we're gonna shoot Richard's death...
:36:28
...and murder of Clarence, and that's it.
- No, the king makes peace.
:36:32
What are you saying?
We got an end of a movie to shoot.
:36:36
"My horse..." "A horse. A horse.
My kingdom for a horse."
:36:39
Fellas, the cops are here.
Police say we need a permit.
:36:43
You said you'd take care of things.
:36:45
What, I need...?
Why do I need a permit?
:36:48
We have to give up a meal like this?
:36:51
OFFICER:
You have to go, guys. You have to go.
:36:55
PACINO:
Hope you like turkey.
:36:59
So, we are gonna get...
:37:01
...a young Lady Anne.
:37:04
I want somebody very young.
:37:06
KIMBALL:
Very young. How young?
:37:08
As young as you can get...
:37:10
...and be able to do Shakespeare
and understand the scenes.
:37:13
Someone young enough to believe...
:37:16
...in Richard's rap.
:37:18
KIMBALL: The problem is, we need
someone who can speak the part...
:37:21
...which is why you always have
an older actress...
:37:24
...because it takes maturity.
- You know, we don't need...
:37:28
The problem of projecting the role...
:37:30
...because it's a film, so we won't have
the need for the actor to project.
:37:36
- We need a film actress.
- Great, great.
:37:39
Someone like...
:37:44
We'll think of someone.
:37:45
Well...
:37:51
PACINO:
I will marry the beautiful Lady Anne.
:37:55
What though I kill'd her husband
and his father?