Norma Jean & Marilyn
prev.
play.
mark.
next.

:38:01
Altogether it's pretty terrible.
But not hopeless.

:38:06
Is isn't?.
:38:07
No. You can... You can carry a tune.
:38:10
Not...
not very far but you can carry one.

:38:12
And the sound engineers can bring up
your volume when you record.

:38:15
And you do manage to create
the illusion that

:38:17
you actually know how to sing.
:38:21
I do?.
:38:24
Yes. Uh...
:38:27
So, let's take the last verse again.
:38:28
Try and slow it down a little bit,
alright?.

:38:31
Play with the rhythms.
:38:33
Like this...Uh...
:38:35
"Every hour in the day,
you will hear me say Baaaabeeee,

:38:43
won't you pul-eeze come hommmmme?. "
:38:49
It's...it's uh...It's called phrasing.
:38:52
Have some fun with it Alright?.
:38:56
Got it?.
:39:01
"When you left you broke my he-art.
:39:06
Because I never thought we'd part.
:39:10
Every hour in the day,
you will hear me say...Baby! "

:39:17
Big finish now.
:39:19
"Won't you pleeease...come..."
:39:31
You um...
:39:34
You move well.
:39:41
This is the allegro vivace.
Can you hear it?.

:39:46
It comes very gently, but it builds...
and it builds...


prev.
next.