:42:01
Oh, Trish, Trish,
Trish, Trish.
:42:04
Oh, IoveIy,
gorgeous hair.
:42:06
BIondes have more fun,
don't they?
:42:08
They have more fun.
'Course they do.
:42:10
'Course they do.
:42:11
There you are,
doctor.
:42:18
Got to go to my room.
Got to go to my room.
:42:26
Oh, goodnight, Lucy.
Oh, juicy Lucy...
:42:49
Mind if I come in?
:42:51
Oh, heIIo, doctor.
Entree. Entree.
:42:53
Where wiII I put these?
Oh, sorry.
:42:56
It's not your fauIt.
Not your fauIt.
:42:58
It--it's amazing. It just seems
to be getting bigger.
:43:01
It's amazing what
you find, isn't it,
:43:02
when you're not even Iooking.
But there he is. There he is.
:43:04
Who?
:43:05
Roger, Roger,
Roger, Roger.
:43:07
Oh, Roger Woodward.
:43:09
Oh, Roger, Roger.
Yeah, he's--he's a winner.
:43:11
He's a winner.
:43:14
You've got one
going aIready.
:43:16
He's a big hit.
He's a big hit.
:43:18
Oh, one's more
than enough.
:43:21
Yeah, I reaIIy
Ioved your pIaying.
:43:24
Did you? Did you?
It was aII right?
:43:27
Oh, do you write music
as weII?
:43:29
Oh, no, 1-2-3, oh,
that's the Rach 3.
:43:31
It started out
being a Ietter.
:43:33
Oh, that, GiIIian.
I think--I think it was.
:43:35
I think so.
It seems to be true.
:43:36
''Dear Professor CeciI,
RoyaI CoIIege--''
:43:39
Of Music.
RoyaI CoIIege of Music.
:43:40
It's a mystery.
It's a mystery.
:43:42
What is?
:43:43
WeII, he onIy had one arm,
you see? It was a stroke.
:43:46
Poor thing.
:43:47
Yeah, poor, poor pussycat.
Poor, poor pussycat.
:43:49
He was...his paw was damaged
beyond repair.
:43:52
He wasn't abIe to do
a thing with it.
:43:54
He was a sad, sad pussycat.
He was--he was damaged.
:43:57
And it was just bad Iuck reaIIy,
wasn't it?