1:01:02
I ain't gonna wreck.
I'll be good. I promise.
1:01:06
I love you, sweetie.
1:01:09
Come on, Karl. Go with us.
1:01:11
Just trying to make these two
feel like they're part of it.
1:01:15
Come on, Vaughan.
This'll be fun.
1:01:17
Karl, let's go.
Come on.
1:01:26
- You gotta lay out on that tambourine.
- I ain't did nothing wrong.
1:01:39
Hey! Ain't anybody gonna come get me?
1:01:44
I don't understand
what you are talking about.
1:01:47
- Exactly the point, my young friend.
- I don't get it.
1:01:51
I rest my case.
1:01:54
Morris is real smart
with philosophies and things.
1:01:57
That's why him and me is the
songwriting team of our group.
1:02:00
I come up with the good tunes,
or melodies, as we call them...
1:02:04
Morris is the lyrics.
1:02:06
Not unlike Gary Brooker
of Procol Harum.
1:02:09
We don't ever played songs
y'all wrote. I ain't heard one of them.
1:02:12
Y'all just talk.
1:02:14
We don't play any songs
with words at all.
1:02:17
We ain't got no fucking microphone!
We ain't got no speakers!
1:02:22
We wrote one last night
outside the mini-mart.
1:02:24
Morris called it, "Stuart Drives
a Comfortable Car."
1:02:28
Then, like in country songs,
in parenthesis it says...
1:02:34
"There's usually someone in the trunk."
1:02:37
And I came up with a tune,
just humming.
1:02:40
You don't wanna question
a genius, Vaughan.
1:02:43
Morris here's a modern-day poet.
1:02:46
Kind of like in the olden times.
1:02:48
Yeah, I got a new tune. This
composition's entitled, "The Thrill."
1:02:53
Goes something like this:
1:02:55
I stand on the hill,
not for a thrill...