1:02:04
Why are you interested in violence?
1:02:08
We get so much of it in films, on TV,
that we're getting too used to it
1:02:14
So?
1:02:15
I'm concerned
1:02:17
Why?
1:02:18
Because I don't like violence
1:02:21
You reject it?
1:02:23
Of course
1:02:25
Always?
1:02:30
Yet violence is something
that is innate in us all
1:02:35
We can't censor every film
1:02:39
But the director must be aware
of its impact
1:02:42
The director's only duty is to give
the public what it wants
1:02:46
That's the basic principle of all
entertainment
1:02:50
Do you reject show-business?
1:02:54
- No, but...
- It's a very complex issue
1:02:58
For example...
1:03:00
On what type of violence...
1:03:02
...will you focus?
1:03:05
How do you mean?
1:03:06
Any particular genre?
1:03:10
I got the impression -
and correct me if I'm wrong...
1:03:14
I find that your approach is rather...
1:03:17
- Superficial?
- Yes
1:03:19
You should get in deeper
1:03:22
This is meant to be a research project
1:03:24
These are just notes, it's not final
1:03:28
So you're investigating?
1:03:31
lnvestigating what?
1:03:32
I don't know...
it's for you to tell me
1:03:36
Tell you what?
1:03:37
What you're investigating
1:03:39
I didn't say I was, you did
1:03:44
Alright
1:03:45
Since you seem reluctant
to collaborate...
1:03:51
I don't get it
1:03:56
I'll tell you... try a different angle