1:13:00
Ronnie.
1:13:04
So...
1:13:07
this is your last day
in Long Island.
1:13:09
Or, should one say,
on Long Island?
1:13:11
Yeah, Aud's gettin'
kind of itchy, so--
1:13:14
I'm also leaving
Long Island soon.
Really?
1:13:17
We should hook up
in Europe sometime.
1:13:22
I'd like that.
1:13:24
Ronnie, I'd like that very much.
1:13:28
Of course, you must honor
your obligations to Audrey.
1:13:31
It strikes me that
you're very young to be
making such a commitment,
1:13:34
especially with your career
at this crucial stage.
1:13:38
Yeah, well, a guy's
got to know when he's on
to a good thing, right?
1:13:42
It was like that
for you, wasn't it?
1:13:45
Uh, well,
I suppose so, yes.
1:13:56
It's a birthmark.
1:13:59
They cover it up for
shooting, but I like it.
1:14:03
You know, I always thought
it was on the right.
1:14:07
How do you mean?
1:14:12
Ronnie, I have a confession
to make to you.
1:14:16
I've been waiting for you
for quite some time.
1:14:19
Oh, shit, Giles, I'm sorry.
I had to drop Aud--
1:14:21
Several years, in fact.
1:14:25
What?
1:14:30
Ronnie, there is
nothing more solitary
than an artist's life.
1:14:35
No doubt you'll find
that out for yourself.
1:14:39
Painfully, perhaps.
1:14:42
One yearns for solace
without quite knowing
where to look for it.
1:14:49
But I found it in you.
1:14:53
Oh--
1:14:56
That's great.
1:14:58
Ronnie, I have another
confession to make.