:04:00
The bank story might make you
look like network.
:04:03
No, not here.
There's a line I won't cross.
:04:05
-I' m not asking you to.
-Yes, you are.
:04:07
I am not. I' m saying,
you move the line, you get the story.
:04:10
You going out to the museum?
:04:12
Yes, trying to get it on
at noon.
:04:14
Mr. Brackett's taking that assignment.
:04:16
The state has let off
some people down there.
:04:19
It's a great story.
You'll relate to it.
:04:22
-I must finish my edit.
-I'll do it. What are friends for?
:04:25
You really are an asshole.
:04:26
-What am l?
-A wonderful human being .
:04:31
Why don't you go to the museum
with Mr. Brackett.
:04:33
You could run tape while you' re there.
Maybe we'll use it tonight.
:04:36
She's an intern!
:04:38
Then you can be her mentor.
Teach her how to " move the line. "
:04:46
I' m gay.
:05:08
Mr. Brackett. . . .
:05:09
Max.
:05:11
Can I put a microphone on you?
:05:13
We'll get the curator to tell us why the
museum is facing drastic budget cuts.
:05:19
And then we'll find
a couple of locals to tell us. . .
:05:22
. . .that without a museum,
the city's a dog kennel .
:05:24
Then, as a brilliant career move,
you' re taking me to lunch.
:05:31
-You have to answer.
-You' re done.
:05:33
Is that the answer?
:05:35
You did it wrong .
:05:36
It's much better on the lapel .
:05:39
Can you help me?
We' re looking for the curator.
:05:42
I know you. TV, right?
:05:44
-Right.
-You' re the TV guy.
:05:47
You' re the museum guy.
:05:48
No, I' m the guard .
:05:50
-The museum has financial problems?
-Tell me about it.
:05:53
There were 2 of us.
The other guy got laid off.
:05:55
-Is that right?
-You never know who'll be next.
:05:58
Stick around . Maybe we'll get you
to say that on camera.