1:32:01
-You need help sometimes.
-You don't need to sit here.
1:32:05
Fine. I' m outside.
1:32:06
-I'll take care of this.
-You' re in the shithouse.
1:32:09
And don't leave the building !
1:32:11
Everybody knows about it if I get mad !
Sit down!
1:32:14
You' re erasing everything we built!
You've buried yourself!
1:32:24
Can I talk to that guy from Texas?
1:32:27
-You all set?
-Yes. It's all set.
1:32:29
I've got to talk to you.
1:32:31
She ought to have something
more upscale. More color.
1:32:34
New York is not happy you' re going on
without checking with them .
1:32:38
Brackett is a freelancer.
He's not with the network. Don't worry.
1:32:42
They need to know
what you' re planning on doing .
1:32:45
The other networks are leading
with Larry King .
1:32:48
Tomorrow they'll be leading
with my stuff.
1:33:03
Good evening
from Madeline, California. . .
1:33:06
. . .where the eyes of the nation. . .
1:33:07
. . . remain fixed on the events taking
place inside the museum behind me.
1:33:12
But the real story I've uncovered since
I arrived here is even more troubling.
1:33:16
Quiet!
1:33:17
I came to understand the unconventional
relationship between a reporter. . .
1:33:21
. . .and his subject,
and I began to worry.
1:33:24
And as I learned more about Sam Baily's
personality, I began to worry even more.
1:33:29
The testimonies on Mr. Baily
were not reassuring.
1:33:32
He 's really a sweet boy.
1:33:35
He 's confused,
but all he 's trying to do is get by.
1:33:39
Sometimes he screws things up
because he 's. . . .
1:33:42
You could say he 's pretty weird.
1:33:44
Does he have a temper?
1:33:46
I don't even know that guy.
1:33:48
-I've seen him have a temper.
-So you 'd call him dangerous.
1:33:51
Dangerous, yeah. Dangerous.
1:33:54
This confused and dangerous man. . .
1:33:56
. . .is being advised by the reporter
covering the story.
1:33:59
Things are breaking down in there.