:20:00
and we'd get
a real place together.
:20:02
Oh, look at her.
I mean, this was a miracle.
:20:05
Here's this beautiful girl,
:20:07
I mean, a gorgeous woman,
:20:09
willing to spend
the rest of her life with me.
:20:10
I just couldn't
have been happier.
:20:13
I was the happiest
program director in the world.
:20:17
Yeah, me.
Program director.
:20:19
Overnight,
I become the big boss.
:20:20
Howard Stern,
executive manager.
:20:23
I had no idea
what I was doing,
:20:25
no clue what to do
with this job whatsoever,
:20:27
but I did it, and everyone
bought into it.
:20:30
They thought I knew what I was doing.
This was great.
:20:33
Howard.
:20:34
Oh, hey, Moti.
:20:35
Advertising is up.
Profit is up.
:20:37
Oh, great.
:20:38
As a disc jockey, you're...
you're shit... ha ha ha ha...
:20:41
But you are a great programmer.
Here, payday.
:20:44
Thanks, Moti.
:20:45
Listen, I want you
to fire Dickie Davis.
:20:49
But why?
:20:50
None of your business.
:20:51
The guy's got 3 kids.
:20:52
You want to be management,
you fire him, huh?
:20:55
It's good to fire someone. It gives
a good message to the others.
:20:57
Just fire him, huh?
:20:59
I don't want to fire him.
You fire him.
:21:01
Howard...
:21:02
disc jockeys are dogs.
:21:04
Your job is to make them
fetch, eh?
:21:07
Now, if you want
to truly be management,
:21:09
you be a man
and fire him.
:21:10
Do it. Be a man.
:21:22
Moti: Tell Dickie Davis
Howard wants to see him now.
:21:25
[Vomiting]
:21:33
[Vomiting]
:21:34
How? Howard?
:21:36
Don't look.
:21:37
You OK?
:21:39
[Coughs]
:21:41
Let me ask you something.
Would you still love me...
:21:44
if I gave up
my programming job,
:21:45
and I stayed on the air,
and I made a lot less money?
:21:48
Yes. I mean, you know,
I'd have to leave you,
:21:51
but I'd still love you.
:21:54
Be serious.
:21:55
If I make less money, we wouldn't
even be able to afford this apartment.
:21:59
Well, we can't really
afford the apartment now,