:52:01
I read what happened
to your last cameraman.
:52:03
The guy got gutted.
Now, me,
:52:06
I'm gonna do what any
rational human being would do,
:52:08
which is get the fuck
out of here.
:52:10
First of all, he wasn't gutted.
I made that up.
:52:12
His throat was slashed.
:52:14
What are you-
Gale, gutted, slashed,
:52:16
the guy ain't in
the union no more.
:52:18
It's a job, Joel.
:52:20
And like every job,
there's a few drawbacks.
:52:22
But you're a professional cameraman.
You've got to act like one.
:52:26
Yeah, but I wanna report the news.
I don't wanna be the news.
:52:28
Besides, brothers don't last long
in situations like this.
:52:31
This is national television.
Think about it.
:52:34
This is a big chance
for you.
:52:36
The story is monumental.
Don't you wanna be a part of that ?
:52:40
Come on.
:52:42
I need you.
I cannot do this without you.
:52:48
Good. Come on.
:52:50
- Let's get some work done.
- Yeah, let's go get killed.
:52:56
We've been through this before.
You know what I think about
your potential as an actress.
:53:00
I know. I know.
:53:02
It-It's just that with,
um, the murders...
:53:05
and the movie
and my life-
:53:08
I do know how difficult
it is for you.
:53:12
Gus, l-l just-
I don't think I can do it.
:53:15
The battle for the soul is
fought in the forum of art.
:53:19
You're a fighter, Sid. That's why you're
here. That's why this is your major.
:53:22
- Yeah, I'm a fighter.
- I didn't hear that.
:53:26
- I'm a fighter.
- I don't believe you.
:53:31
I don't.
:53:35
I'm a fighter.
:53:38
Okay.
:53:41
So, at the risk of sounding
like a college drama teacher,
:53:45
if you've got pain around
this kind of material, use it.
:53:47
This is your role, Sid.
:53:50
Cassandra is one of the great tragic
visionaries of literature.
:53:53
She saw it all coming.
The wars,
:53:57
the murder,
the madness.