:32:05
Well, I better get
on with this thing.
:32:09
Back to work.
:32:16
Listen...
:32:17
forgive me, but...
:32:18
are you married or anything? And
if not, what are you doing later?
:32:22
- Later, when?
- Six o'clock.
:32:25
- Why?
- Want to go to a screening?
:32:27
A screening?
:32:28
Of a new John
Papadakis film.
:32:30
I have to go and I thought
you'd like to go.
:32:38
Thank you,
but I can't.
:32:43
I don't often go to the films...
:32:45
and I haven't
heard of that director.
:32:48
But thanks for
thinking of me.
:32:51
She'll be happy to go.
:32:52
This is my...
:32:54
Accepting for Ms. Simon,
her friend, Cheryl.
:32:58
And your divorce? Are you
friendly with your ex-husband?
:33:01
We would be if we met.
:33:03
I mean, this is the age
of psychotherapy, right?
:33:06
Everyone's so
sophisticated and mature.
:33:09
Hi, how are you?
:33:11
At least you're
not still angry.
:33:15
No, that phase is over.
:33:17
You have to stop
tantrumming...
:33:20
and move on with life.
:33:22
The champagne tastes
like it was made yesterday.
:33:24
Think so? I
kind of liked it.
:33:26
But I'm feeling lightheaded.
I shouldn't drink any more.
:33:29
I wish I felt lightheaded.
:33:31
- I hate these screenings.
- Do you?
:33:33
I'd rather see
a real audience.
:33:36
I should know all these people,
but I'm so out of touch.
:33:41
Let's see. You see that guy?
:33:43
That's Papadakis, the
director of the film.
:33:45
Yeah, he's arty and pretentious.
:33:48
One of those assholes who always
films in black and white.
:33:51
Tom Dale. Big star!
:33:53
He's filming an adaptation
of a sequel of a remake.
:33:57
Getting out of the elevator
is a famous critic.