:57:00
I'm impressed with your ear.
:57:02
- My ear?
- Yeah, dialogue.
:57:04
My ear! Well, I try and listen.
:57:06
Know what I mean?
It flows.
:57:17
Come on, come on!
:57:19
Come on, baby!
:57:22
Stick him! Come on!
:57:24
Is this a good time to go
over script problems?
:57:27
He can't put a fucking
combination together, shit!
:57:33
Let's shoot craps.
I can't sit still.
:57:36
If we could get our business
done, you could play more relaxed.
:57:39
- You shoot crap?
- I don't, no.
:57:41
I'll teach you, man!
:57:43
I know the rules, but I
didn't bring much money.
:57:46
I'll advance you some.
:57:48
From our royalties?
Very generous.
:57:50
I wanted to talk
about the opening.
:57:52
You know? It
feels a little rushed.
:57:54
It's definitely rushed.
Needs more build-up.
:57:58
- No, not build-up.
- Not build-up!
:58:00
Character development.
:58:01
Who is this Sonnyboy?
Why's he need to score so bad?
:58:04
You have a feel for this.
:58:06
Shoot 'em, babe!
:58:11
You're fucking cursed.
It ain't your night.
:58:14
I can't believe I ran
through $6,000 so fast.
:58:19
All right, seven or eleven!
Gimme the dice!
:58:22
Seven or eleven, baby!
:58:24
You know after the opening
scene, when Sonnyboy meets...
:58:35
Hey man, you partake in this?
:58:37
Well I have some alcohol,
so... not really.
:58:41
So I was wondering how you felt
about how I handled the robbery.
:58:45
It's a terrific sequence,
I'm very happy...
:58:48
Needs a complete rewrite.
:58:49
Nobody'd believe you could steal
an armoured car in the daytime.
:58:53
- It's ridiculous.
- Not enough subterfuge.
:58:57
For you, baby.
:58:59
Hey, you like her?