:59:01
- She's a terrific person.
- Got a nice ass.
:59:03
With some helicopter
shots, we could...
:59:06
Let's take the party inside,
what d'you say?
:59:08
I'd like to talk more in-depth
about the denouement...
:59:12
I feel there's a chance there
to say something special.
:59:20
Excuse me, Brandon, we
can finish this in a second.
:59:23
I don't want to
get in the way, so...
:59:25
Why don't you get into bed...
:59:27
and we'll be there
in a minute, right?
:59:30
Excuse me, have
you got a second?
:59:32
This is an unfamiliar
scenario to me.
:59:34
Listen, I know Gina
from before.
:59:36
You won't be sorry. Trust me.
:59:39
- You mean, all of us?
- Yeah, what's the problem?
:59:41
You never been with more
than two broads before?
:59:44
The woman thing is
not a... you know.
:59:47
But with guys I'm uncomfortable.
:59:49
But we're not
getting together, right?
:59:51
You do like women, don't you?
:59:53
If it was, like on their own...
:59:55
with just 2, 5, 500, it
wouldn't matter, but...
:59:58
So my presence disturbs you?
:59:59
You know, the idea of a naked
man per se, conceptually...
1:00:02
a naked man is
not an issue for me.
1:00:05
- Do we need the door closed?
- Ever been in a boy's locker room?
1:00:08
Sure. I have
track medals.
1:00:11
I was all-city.
1:00:12
So what's the problem?
1:00:14
I don't know how to put it.
1:00:16
It's a wave of panic at the
proximity of male genitalia...
1:00:20
in conjunction with the
specific activity implied.
1:00:22
Add to which, I'm still airsick.
1:00:24
I don't know if I can...
1:00:25
You writers are
so sensitive, you know?
1:00:27
You should be writing
greeting cards, not scripts.
1:00:43
What's up?
Not in the mood?
1:00:46
I'm just...
1:00:47
I don't know...
1:00:49
tired, you know. Drunk.
Just had alcohol.
1:00:53
Brandon tells me
you're his writer.
1:00:56
Well, y'know, I'm a writer.
1:00:59
I write.