:26:13
-Bon jour.
-Bon jour, Monsieur Morritz.
:26:15
-Everything is ready as you asked for.
-Same room as aIways?
:26:19
-Same room, but one story down.
-Then it's not the same room, is it?
:26:23
No, Sir, but it's the same
as the other one.
:26:26
-Sir, I have a message from your wife.
-Merci.
:26:40
Room 2.703.
:26:43
New York City, pIease.
:26:45
316-2799.
:26:52
Carrie? CharIes Morritz here.
I have a IittIe gumshoe work for you.
:26:57
Cremona. Bussotti.
Get a pen.
:27:06
Made a cast of this
after we set the tabIe.
:27:10
Swiss.
:27:12
So, here we are.
Here's the before picture.
:27:15
Take a Iook at the corners. Not so bad.
I don't think we have to touch them.
:27:19
Some reaIIy nice perfIing here.
:27:23
Lot of work to get it this far.
:27:25
Turn-of-the-century hackjob
with some horse gIue and a patch...
:27:29
so I had to reset the neck.
That was the big job.
:27:31
Sound post, taiI piece.
New bridge, of course.
:27:34
But the body itseIf is remarkabIy good,
so I'II strip back some varnish here...
:27:39
-No, no, no.
-No what?
:27:42
I toId you before.
Don't touch the varnish.
:27:45
-WeII, that's not gonna be easy.
-If there's a probIem, I'II do it.
:27:51
Look, the auction's in two weeks.
I have 16 other instruments.
:27:55
Leroux is aII over my ass. I stiII have
a Stein I haven't even touched...
:27:58
I want compIete L.I.G.'s,
a resonance test, mass specs...