:28:01
and Iet's get some varnish sampIes
off to the Iab, okay?
:28:07
This instrument is not a priority.
Every minute of my day is fuII.
:28:12
That's fine. We'II do this
after hours, aII right?
:28:23
-These are the estimates?
-No, the reserves.
:28:26
-That we proposed to the Chinese?
-Right.
:28:30
And what about these?
:28:32
Those are some contentious items
you might not want to put on the bIock.
:28:35
They're badIy preserved
and hard to attribute.
:28:39
-What about that red one?
-Red one?
:28:42
Leroux seemed to think
it might be a Bussotti.
:28:47
Yes.
:28:49
It might be, but the IabeI's obscured
and the varnish is odd...
:28:54
it's sIightIy opaque. And I'm afraid
as it stands, with no documentation...
:28:59
That's aII you expect?
:29:18
''With aII my heart''.
:29:26
You ever heard of the Red VioIin?
:29:30
Sure. The Frederick Pope Bussotti?
Sure, I have, stories.
:29:36
-How about copies?
-One in London, the onIy one I know of.
:29:39
Supposed to be a copy
commissioned by Pope.
:29:43
-You know who has it?
-Some private coIIection.
:29:47
You think I couId buy it
without tipping them off?
:29:52
Tipping them off to what?
:29:54
WeII, we know for sure we have a
Bussotti. I can date it within the year.
:29:58
We stiII have this varnish
that doesn't configure, but...