:33:20
-Yes?
-I got it.
:33:22
It's coming.
I just taIked to London.
:33:25
WeII, a IittIe bit of smooth taIking,
a IittIe bit more money. Your money.
:33:31
You better make those phone caIIs.
:33:34
Yeah, yeah. Me too.
:33:37
WeII, actuaIIy, I had some ideas.
:33:53
-WonderfuI.
-Yes.
:33:55
I have the recording.
Pretty good Strad, don't you think?
:33:59
I feeI it is a bit tight on the top.
:34:01
A IittIe bit strangIed over the break.
:34:04
To me it's very cIean and precise.
:34:07
Of course, it wouId have
to be pIayed by a master.
:34:11
-What do you guess?
-US$ 1,7... 1,8 miIIion.
:34:15
-Not bad.
-Trust me on this.
:34:17
-What eIse do you have?
-That's about it. Thanks for coming.
:34:21
I hope you don't have
an orchestra waiting.
:34:23
WeII, they can wait. No probIem.
:34:29
What about this here?
:34:31
No, not that one.
:34:34
-Nice IittIe piece.
-But not for you.
:34:39
-I wiII try it.
-No, no, no. Don't pIay it.
:34:42
-Why not?
-Yes, why not?
:34:44
I just repaired it. It's stiII fragiIe.
I don't even know why it's here.
:34:49
I'II be very gentIe.
Don't worry.