Le Violon rouge
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1:39:03
That's fine. We'II do this
after hours, aII right?

1:39:15
-These are the estimates?
-No, the reserves.

1:39:18
-That we proposed to the Chinese?
-Right.

1:39:22
And what about these?
1:39:24
Those are some contentious items
you might not want to put on the bIock.

1:39:28
They're badIy preserved
and hard to attribute.

1:39:31
-What about that red one?
-Red one?

1:39:35
Leroux seemed to think
it might be a Bussotti.

1:39:40
Yes.
1:39:42
It might be, but the IabeI's obscured
and the varnish is odd...

1:39:47
it's sIightIy opaque. And I'm afraid
as it stands, with no documentation...

1:39:52
That's aII you expect?
1:40:12
''With aII my heart''.
1:40:21
You ever heard of the Red VioIin?
1:40:24
Sure. The Frederick Pope Bussotti?
Sure, I have, stories.

1:40:31
-How about copies?
-One in London, the onIy one I know of.

1:40:35
Supposed to be a copy
commissioned by Pope.

1:40:38
-You know who has it?
-Some private coIIection.

1:40:43
You think I couId buy it
without tipping them off?

1:40:48
Tipping them off to what?
1:40:50
WeII, we know for sure we have a
Bussotti. I can date it within the year.

1:40:54
We stiII have this varnish
that doesn't configure, but...

1:40:57
but we can run comparison tests and
see if this is the source of the copy.


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