Lulu on the Bridge
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:48:01
I'd say you're off
to a pretty good start.

:48:05
Movies are tough. I've always had
a lot better luck with plays.

:48:08
I got an agent two months ago.
She put together this tape.

:48:12
Has it helped?
:48:14
Yes and no.
:48:15
I mean, I've had
more auditions but, no work yet.

:48:18
I have another audition
on Monday afternoon.

:48:22
What's the part?
:48:24
Lulu. There's going to be
a new version of Pandora's Box.

:48:28
You're kidding...?
:48:29
No, it's really happening.
:48:33
They're looking for
someone completely unknown.

:48:35
So, maybe I have a chance.
:48:38
It's such a great role,
I'd love to play it.

:48:41
It's one of the best roles
ever written for a woman.

:48:42
I know the people who
are making that movie.

:48:46
Catherine Moore, she's
the director, right?

:48:48
- Yeah...
- And Philip Kleinman's the producer.

:48:51
You know them?
:48:53
Know them? I just had dinner
with them a few nights ago.

:48:57
I'll call them up,
put in a word for you...

:49:00
get the ball rolling.
:49:04
I'm going to
get you that part.

:49:07
I just wanted to thank you, Hannah.
You've been great.

:49:13
There she is.
I'll catch you later.

:49:16
How did it go?
:49:18
I don't know...
:49:19
I don't think I was very good.
It was a good experience...

:49:22
I got to talk to Catherine Moore.
She's fantastic.

:49:37
You wouldn't be free
later tonight, would you?

:49:40
Sorry, I'm busy.
:49:43
Have you decided
on your orders yet?

:49:45
She's just playing
hard-to-get, hm?

:49:48
We'd be happy to...
make it worth your while.

:49:54
You know, the duck is very good tonight.
The chef is recommending it.

:49:57
Fuck the duck.
I'm interested in other kinds of meat.


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