:52:13
Celia, are you there? It's Maggie.
:52:16
Well, I have just had two calls...
:52:18
One from Philip Kleinman,
one from Catherine Moore,
:52:20
and you've got the part.
:52:22
You're the one they want.
It's fantastic.
:52:25
Call me tomorrow morning,
and I'll fill you in on the details.
:52:29
Congratulations, darling.
I'm just over the moon for you.
:52:45
Are you all right?
:52:48
I got the part.
:52:52
I'm Lulu.
:52:55
"We are all lost creatures," he said...
:52:58
"and it is only if we admit this that we
have any chance of finding ourselves".
:53:04
But Lulu doesn't admit anything.
She doesn't know anything.
:53:07
She just is.
:53:09
Wedekind says Lulu
isn't a real character...
:53:11
she's... an embodiment
of primitive sexuality.
:53:18
And whatever evil she causes
comes about by accident,
:53:21
because she's passive,
because she's playing a passive role.
:53:27
I don't agree...
:53:29
She's impulsive,
but she's not a destroyer.
:53:33
She doesn't care
what other people think of her.
:53:35
That's where she
gets her power.
:53:37
She doesn't have any pretensions...
:53:39
She doesn't play by the
same rules everyone else does.
:53:43
But Wedekind wrote the play.
:53:46
He created her.
:53:49
It doesn't matter.
He was wrong.
:53:50
He was wrong?
:53:55
Well, we'll see.