:29:02
- Really?
- Yep.
:29:06
We got the whole tomorrow
storyboarded out. Here.
:29:09
I know. I saw that
a couple of times already.
:29:12
When did you see the storyboards?
:29:14
Well, you gave it to me
to peruse.
:29:19
So I did.
:29:21
- You perused them? Where are they?
- It's in here.
:29:25
How come every time I give you
something, it ends up under the shoes?
:29:28
You told me to keep it here.
:29:29
Within weeks,
the film will be cut, finished.
:29:33
Throw in an optical track
on the release print...
:29:35
get it into 3/4-inch, bump it down
to half-inch for multiple sales.
:29:39
- What do you think about that?
- Multiple sales to whom?
:29:43
To the buying audience.
We're selling 3,000 units.
:29:45
Who's the buying audience?
:29:48
Bill, we're selling 3,000 units
at $14.95 each...
:29:51
which is a return of 45 grand.
:29:53
Pay for the film, get the three grand
back, pay everyone back, take profits--
:29:58
That'll be the day.
:30:01
You know what? I'm gonna bring over
a bottle of wine. You have a preference?
:30:05
Red or white wine?
:30:08
- Red or white?
- Red or white?
:30:14
Yeah, now you're thinking.
:30:16
And you get your name
on the credits as a producer.
:30:32
You are on the path--
one-way path to hell.
:30:34
- How's it going?
- Really good.
:30:35
- Looking good.
- Thank you.
:30:45
Okay, action.
:30:46
No, this is wrong, this is all wrong.
It's too claustrophobic.
:30:57
I don't know why Mark is spending
all this time completing Coven...