:54:00
and I felt it many years before that,
many years before that.
:54:05
Why'd you stop?
:54:08
I think, obviously,
there's gotta be some fear...
:54:10
like if you actually go ahead
and do it and complete it...
:54:13
there's more consequences to it.
:54:17
You let a day go by and fantasize,
and that day slips into years.
:54:21
Suddenly you're in this living room
watching something from six years ago.
:54:25
That shot does look good.
Right there.
:54:28
Down the aisle.
Be right back.
:54:38
And don't stop till I say cut.
Roll it.
:54:46
- Now you are off.
- Cut. What? Now what?
:54:49
You can hardly see your mouth anymore.
:54:53
I cannot be dead-center
in the frame.
:54:57
In front of my sight of vision...
:54:59
that should occupy more of the frame
than the back of my head.
:55:03
Okay, Ma, just tell me
how it looks.
:55:14
You were down when you do this.
:55:16
- I'm trying to get outta frame there.
- Yeah.
:55:19
Keep the camera rolling.
Did you just turn off the camera?
:55:23
Cut.
:55:25
- Am I framed up?
- Yeah.
:55:27
Oh, now I see
there's a frame there.
:55:30
Oh, no!
What are you talking about, Ma?
:55:33
Okay, just never mind, man.
:55:35
Okay, just-- The camera's rolling,
sound is rolling.
:55:38
- Is that--
- I see a frame inside here.
:55:40
Yeah, it's the TV frame.
That's the frame we're trying to--
:55:44
You should be higher up,
much higher up.
:55:47
Your face is--
Yeah, more above you.
:55:52
Where am I at now, Ma,
with all of this film burning?
:55:55
- Yeah, that's okay.
- Okay, ready?
:55:57
Absolute quiet, please.