:20:00
Kindly... Kindly keep
your disgusting similes
:20:02
away from my wife.
:20:03
Come on.
You're only human.
:20:05
I mean, what,
you've been together, what
:20:07
eight years now.
:20:08
Don't you ever wonder
what it'd be like
:20:10
to go to bed
with another woman?
:20:13
Of course, um...
:20:14
Of course,
but I mean everybody does.
:20:17
That's-That's-That's
just fantasy.
:20:19
That's nothing to do
with actual life. That's...
:20:22
I mean, I don't
lie in bed thinking...
:20:24
"Oh, Christ," you know
:20:26
"I hope I have it away with
somebody else before I die."
:20:31
Hmm? And I would never
do anything to hurt her.
:20:35
You might...
She might not mind.
:20:39
[ Toni ]
Oh, we've won an award.
:20:41
Yes, I have.
:20:42
"Christopher Lloyd.
:20:43
"Advertising Design Awards
:20:44
winner, Gold Loom."
:20:45
Hey, now, now this is it.
:20:47
This is more like it.
:20:48
Yeah, I thought
you'd like that one.
:20:50
I'm impressed.
:20:51
It's not exactly, uh
:20:52
Cartier-Bresson
though, is it?
:20:53
Hey, you always were
a bloody good photographer.
:20:56
Oh, not quite
good enough, though.
:20:58
Ah, could have been.
:21:00
You could have been.
:21:02
Whatever happened
:21:03
to that book
you was always going to do?
:21:05
Do you remember?
:21:06
Yeah, yeah.
:21:07
Well, um...
I thought it was time
:21:09
to get serious about the career
when Amy came along, you know.
:21:12
It's still
on the back burner, though.
:21:14
What's it about?
:21:17
Well, it's, um...
:21:18
It's really...
:21:21
It's in here?
:21:22
No, I'm not saying.
:21:23
It's in here.
:21:24
I'm sitting on it.
:21:25
My God.
:21:26
Christopher Lloyd's
deep, dark secrets.
:21:28
No, no, don't, Toni.
No, leave it.
:21:30
You'll only laugh.
:21:31
What's the matter?
:21:32
I won't laugh--
Chris, come on.
:21:34
Friends since the cradle.
:21:35
It doesn't matter
what it is, I promise you.
:21:37
However ludicrous,
trivial, obscene...
:21:39
I'm not going
to laugh, am I?
:21:42
Let me see.
:21:43
Watch out.
:21:47
What I'm planning
is, a, uh...
:21:50
a photographic...
:21:51
history of travel in London.
:21:53
You know, I mean
:21:55
the premise being
sort of the extraordinary
:21:57
within the ordinary, you know,
because everybody's
:21:59
so familiar with,
you know, the trains