1:26:00
Now, can your clapping,
'cause here's you know whom:
1:26:04
My new brother and our bridegroom.
1:26:07
All right. Come on.
1:26:09
Mikey, we're waiting!
1:26:12
We're waiting, Mikey!
1:26:13
You're getting married. Thattaboy!
1:26:29
Speak up!
1:26:31
Sorry.
1:26:35
This is making me nervous.
1:26:36
The last time I spoke at a wedding...
1:26:39
...I was supposed to propose a toast
to the bridesmaids.
1:26:42
I ended up proposing an opening bid.
1:26:44
What's worse is they both sold.
1:26:47
Want it in the head or the chest?
1:26:49
Come on. Come on!
1:26:53
MICHAEL: So I'll keep it simple.
GUEST: Good idea!
1:26:56
Andjust tell you why I think today,
for once...
1:27:00
...I'm the one acquiring the masterpiece.
1:27:02
[Approving sighs from audience]
1:27:05
Firstly, I've always been a huge fan
of the Italian school.
1:27:11
Come on, speak to me.
1:27:14
It's not working.
1:27:17
They say that the real test
of a masterpiece...
1:27:21
...is whether you instinctively know
it's something...
1:27:24
...you'll keep forever...
1:27:27
...love forever.
1:27:31
Don't think of it as gaining a son.
1:27:34
VITO: Ifyou don't do it...
1:27:36
...you're losing a daughter.
1:27:37
-Sir?
-No good.
1:27:41
MICHAEL: In some cases....
1:27:43
In some cases...
1:27:45
...it's even something you'd be prepared
to die to protect.
1:27:51
That's certainly the case here.
1:27:53
I'd rather die than see any harm
come to Gina.
1:27:56
I love her more than my own life.