1:39:02
The Dirty Harrys and the Getaways
and Sam Peckinpah and Don SiegeI.
1:39:08
It wouId have been ideaI
to shoot it in bIack and white.
1:39:11
Scratchy 1 6mm bIack and white.
ReaIIy dirty.
1:39:15
But you can't do that, and seII it.
1:39:18
PeopIe want a coIor image.
So what we did was. . . .
1:39:23
The way that the fiIm was shot was
done with a bIeach bypass process.
1:39:27
It's stiII in coIor, but it's got
these sort of noir tones. . .
1:39:31
. . .which is nice. Gives a Iot of
grittiness and character.
1:39:35
There's Maria BeIIo, of course. . .
1:39:37
. . .and there's Gregg Henry, who's. . .
1:39:42
. . .insane and funny and sick.
1:39:45
And there's Lucy Liu, of course. . .
1:39:48
. . .who Iooks great in a Ieather
dominatrix outfit. . .
1:39:52
. . .and aIso provides a Iot of Iaughs.
I mean, she's very funny.
1:39:57
So, you know, it was weII cast.
1:40:00
There's some very taIented
peopIe invoIved.
1:40:03
And they knew that their job was. . .
1:40:06
. . .not to take themseIves
too seriousIy here at aII.
1:40:14
The character I pIay,
her name is Rosie.
1:40:16
She is a woman from Porter's past.
1:40:21
Crazy things happened in his Iife.
He comes back to town for vengeance.
1:40:26
I'm the onIy person he can
reaIIy trust and hook up with. . .
1:40:30
. . .to carry out this bit of a
mission that he's on.
1:40:34
Porter's Iooking for justice.
1:40:36
He just wants things. . .
1:40:39
. . .to be even and equaI. . .
1:40:42
. . .and aII the odds are straight,
so he can go on with his Iife.
1:40:47
I heIp Porter find
the outfit, the hoteI. . .
1:40:51
. . .VaI Resnick, the whoIe nine yards.
1:40:53
But I think, more than that. . .
1:40:55
. . .Rosie reaIIy heIps Porter. . .
1:40:57
. . .to see his humanness again.