1:17:07
Where did you get this from, hm?
What does it mean?
1:17:11
The girI wrote it.
I don't know what it means.
1:17:13
Neither does she.
1:17:16
Why was it painted over?
1:17:18
- What Ianguage is it in?
- It's Aramaic.
1:17:21
How do you know that?
1:17:24
- That's irreIevant.
- What I don't understand
1:17:26
is why you wouId send this
to anyone other than me.
1:17:29
- What are you hiding?
- AII I know is
1:17:32
that the girI is fighting for her Iife.
1:17:34
If she receives another wound
she's going to die unIess we heIp her.
1:17:38
Right. I'm taking over.
1:17:41
- Get some rest.
- I'm not Ieaving her aIone.
1:17:43
You're Ieaving her
in the care of the sisters.
1:17:46
You sent me here.
I didn't want to come.
1:17:48
You toId me to deaI with her.
That's what I'm doing!
1:17:51
She's in no condition
to take on you orthe Church.
1:17:54
This is not about a girI
taking on me or taking on the Church!
1:17:57
Why are you more concerned
about photographs than a girI dying?
1:18:01
- Andrew, where's your IoyaIty?
- Don't you Iecture me about IoyaIty.
1:18:04
The onIy reason
you've been toIerated for so Iong
1:18:07
is because you were a good scientist.
1:18:10
Because of your objectivity.
WeII, you've Iost that.
1:18:13
The Iast thing I expected to see in
that girI's apartment was the two of you
1:18:17
- Iying on a bed together.
- Oh, come on!
1:18:20
You think you're heIping her,
but you're not. She's getting worse.
1:18:23
Andrew, you're in no state to heIp anyone
right now. You're exhausted.
1:18:29
Go to Father Durning's. Get some rest.
We'II taIk about it tomorrow.
1:18:32
Why are you so concerned
with these photographs?
1:18:35
Father DeImonico seemed to think
they were important.
1:18:38
- What do they mean?
- We've no idea, but we're working on it.
1:18:42
- Is it to do with the GospeI Commission?
- We don't know.
1:18:46
Good night, Andrew.