:28:05
We thought we'd start with
the security tapes. What is that?
:28:09
You don't wanna know.
:28:12
All right. These are yesterday's tapes
from the lmpressionist wing.
:28:15
Why are they different
from the corridor cameras?
:28:18
We're upgrading to thermal imagery.
So far, it's just the high value areas.
:28:21
But it works in the dark.
Even senses body heat.
:28:25
Got it. So that's the Monet
that morning.
:28:27
- Right.
- Skip forward to the robbery.
:28:32
- Time of the robbery.
- Whoa.
:28:34
Zip.
:28:35
Was the camera still working,
or what, did they cut the feed?
:28:44
- That's why they cut the air.
- You know, that could be.
:28:48
These things need
a ten-degree difference.
:28:51
If the temperature of the ambient
gets within ten degrees of the bodies--
:28:55
Then the camera can't tell
between people and walls.
:28:57
How hot did it get in the museum?
Check the other cameras.
:29:02
So why can you see people
in this room?
:29:04
The ambient in that room
only went up to the mid-80s.
:29:08
Wait a minute.
:29:09
You're telling me
that for some reason...
:29:12
the area around that
particular painting went above 90?
:29:21
What?
:29:25
I don't know. Something.
:29:28
What, are we channeling now?
:29:34
How long you been doing this?
:29:36
A while.
:29:39
- Where? ln Europe?
- And other places.
:29:42
You're a real self-promoter.
Give me a for instance.
:29:50
- How many legs?
- What?
:29:53
The bench.
:29:56
Two.
:29:58
You still have that tape up?