1:42:00
...as adopted by well-meaning
but misguided underlings...
1:42:04
...upon the departure
of their august superiors.
1:42:06
- Thank you.
- Is that a recognised Japanese attitude?
1:42:10
Not as yet, Grossmith. But I have every
confidence that it will become one.
1:42:14
Much obliged.
1:42:16
I'm sure I've seen this
on a vase somewhere.
1:42:22
Jessie.
1:42:24
Thank you, Mr Gilbert.
1:42:28
Ha! A pretty picture! Eh, Seymour?
1:42:31
Charming, sir.
1:42:34
The Mikado has left. Grossmith.
1:42:39
Well...
another fine mess you've got us into.
1:42:42
No! My line is,
'A nice mess you've got us into.'
1:42:46
And I should be much obliged
if you would play it "comme ça".
1:42:49
Well... a nice mess you've got us into.
1:42:53
Righto, sir.
1:42:58
- Well...
- No! Well...
1:43:02
Well...
1:43:03
...a nice mess you've got us into...
1:43:06
...with your nodding head and
the deference due to a man of pedigree.
1:43:11
Mr Grossmith,
you are under sentence of death...
1:43:15
...by something lingering.
1:43:17
Either boiling oil or melted lead.
1:43:20
Kindly bear that in mind. Thank you.
1:43:24
Well, a nice mess you've got us into...
1:43:27
...with your nodding head and
the deference due to a man of pedigree.
1:43:32
Merely corroborative detail...
1:43:34
...intended to give artistic verisimilitude...
1:43:38
...to a bald and unconvincing narrative.
1:43:40
No, Barrington. An "otherwise" bald
and unconvincing narrative.
1:43:45
Was that incorrect? I do beg your pardon.
1:43:47
No, sir. It has only just occurred to me.
1:43:49
Oh! To an otherwise bald
and unconvincing narrative.
1:43:54
- Much better.
- Corrobatative detail indeed!
1:43:57
- Corroborative detail.
- Corrobatative.