:49:00
Here's the poster
of your new band.
:49:05
This is you...
:49:06
and this is you, Penny.
:49:17
ls my butt that big?
:49:19
No, you've got a nice back yard.
:49:22
lt's just that
this drawing's a bit abstract.
:49:26
Abstract?
:49:29
- lt's what l see.
- No, it's not what he sees.
:49:32
lt's what he sees and interprets
and then expresses in a drawing.
:49:39
So, you look at my ass
and then draw a big one?
:49:45
He sees your--
He likes your butt...
:49:49
and draws a big one.
:49:51
So everyone who sees your butt
in this drawing...
:49:55
and then sees your butt
in real life...
:49:58
they, um, say...
:50:01
''Well, Penny's got a pretty
nice butt in real life.''
:50:07
Good one, Blake.
:50:11
So, Francis...
:50:12
where are you in the drawing?
:50:16
There's not enough room
in this picture.
:50:25
Are you guys tired?
:50:26
Do you want some coffee?
:50:28
No, thank you.
:50:32
Are you tired?
Do you want to go? Okay.
:50:35
- You're welcome to stay here.
- That's your choice.
:50:39
l mean, l stayed at your place.
:50:41
Plus, you don't want to go
back to that hole anyway.
:50:44
Okay, fine.
:50:45
l'll get
the marshmallows out, okay?
:50:52
Who is it?
:50:57
What is up with the outfit?