:21:00
Come on.
:21:13
Save it for the workshop, Charlie.
:21:15
- Look at him.
- Get over here.
:21:17
- Let's show them.
- Sure.
:21:26
- What's wrong with you?
- You know exactly what you did.
:21:29
You've got no right to paw me
in front of all those people.
:21:32
I wasn't pawing you.
I can't even touch you?
:21:34
We're not friends anymore?
:21:36
Okay, listen.
:21:38
I think it's great you're back.
You're a wonderful dancer.
:21:41
But I am just as happily married
as I was before you left.
:21:44
Then how come we danced better
tonight than we ever have?
:21:47
For God's sake, that was acting.
:21:50
Pretending.
:21:52
That's our job.
:21:54
I got to get back.
:22:08
- My God.
- I know.
:22:12
In the grand scheme of things,
it was a pretty cool night.
:22:16
Except for that slave- labor part,
it didn't suck.
:22:19
Excuse me. Coming through.
:22:22
No luck?
:22:24
- What?
- The tiara.
:22:25
She went off to find one in my size.
:22:28
No luck.
:22:29
I'm sure you tried your hardest.
:22:31
- Anyone want a fruit tart?
- I'll take one.
:22:34
- It's practically all fat, Emily.
- Hello, Emily. I'm Jim Gordon.
:22:38
You guys work here?
:22:39
No. We're students
at the American Ballet Academy.
:22:42
Ballerinas. Very cool.
:22:44
Oh, my God.
You got to try one of these, Maureen.
:22:47
Well, she has a name. Maureen.
:22:49
We have to go.
:22:50
Me, too.
:22:52
I'm going to call my mom.
Tell her I've been wrong about New York.
:22:56
You see, Maureen No- Last- Name,
all this time I've been telling her...
:22:59
..."It's an interesting city,
but devoid of any true natural beauty."