:47:09
Good!
:47:10
Okay, I'm thinking
maybe, Selma...
:47:12
You could take a little
sort of circle around Boris
:47:15
on this next part,
:47:16
unless you have something else
you wanna suggest,
:47:20
I'm open,
:47:22
Okay?
:47:24
Samuel,
:47:25
Yes?
:47:27
I need to
talk to you,
:47:28
Oh, Selma, please, if
it's about the drummer,
:47:31
I have been looking
everywhere for a drummer--
:47:32
It's not
about the drummer,
:47:40
Um... just a quick word,
:47:43
Do you wanna
go outside?
:47:44
Yup,
:47:45
Okay,
:47:57
I--I'm not
gonna play Maria,
:48:00
What?
:48:02
My heart just
isn't in this...
:48:04
Like, I shouldn't
be wasting my time
:48:07
on something...
:48:08
that isn't...
that important really,
:48:14
I've been watching Suzan,
and she's...
:48:17
She's great,
:48:18
She's... She's very--
:48:20
She's a much better dancer
than I am,
:48:22
Terrific,
:48:23
Suzan's terrific,
I'm not denying that,
:48:26
but you--I thought
you lived for musicals,
:48:28
So you've been pretending
the whole time?
:48:31
Yes,
:48:33
I've just been pretending,
:48:36
I don't know what else
I could do with you,
:48:37
I've got everything
cast right now,
:48:39
Yeah,
:48:41
The only part that's left
is the old nun
:48:43
who lets maria out
of the convent gate,
:48:45
I don't think
you'd want that part,
:48:47
There's no dancing
in that,
:48:50
She's
quite serious then?
:48:52
She's serious,
:48:53
It's important
for the part,
:48:55
Okay, I'm not
dancing really,
:48:58
No,