1:44:02
Oh, um, there's a container ship
at pier 14.
1:44:06
You might wanna check it out.
1:44:17
Oh. Look here.
Can a good-lookin', hard-workin' chef
get a beer around here?
1:44:22
Come on, Tumbler. You ain't doin'
nothin'. Hand me a beer, baby.
1:44:26
All right, Memphis, guys. Food!
thank you, sir.
1:44:30
Damn.
1:44:33
- Ow. Ow.
- Wait, wait, wait, wait, wait, wait.
1:44:35
Poor Toby, man. Sure looks
like he's in a lot of pain.
1:44:38
Hey, if that's pain,
you can shoot me anytime.
1:44:42
Sexy, sassy.
1:44:45
If his unpleasant wounding has in
some way enlightened the rest of you...
1:44:49
as to the grim finish below
the glossy veneer of criminal life...
1:44:53
and inspired you to change your ways...
1:44:56
then his injuries carry with it an
inherent nobility and a supreme glory.
1:45:01
We should all be so fortunate.
1:45:03
You say, "Poor Toby."
I say, "Poor us."
1:45:10
- He spoke.
- Yeah.
1:45:12
Hey, man, I thought
you were from Long Beach.
1:45:16
Hey, Memphis. Hey.
1:45:21
- I have something for you.
- What is this?
1:45:24
Open it.
1:45:27
Keys. Keys are good.
What do I do with them?
1:45:30
Hey, everybody.
Everybody inside here. Let's go.
1:45:34
Everybody come on.
Let's go!
1:45:36
Ladies and gentlemen...
1:45:38
it's my great pleasure to present--
1:45:43
- Oh, man. Oh, man! What?
- There you go. Eleanor.
1:45:46
- What? It's Eleanor.
- Look at his face.
1:45:50
All yours.
1:45:52
Now it's a heap, but, uh,
give me a couple of weeks and it'll
look like a streamlined butterfly.