:32:00
I open my suitcase.
:32:29
Amazing,
in a department store in Tokyo,
:32:34
on the top floor,
:32:36
there were Rembrandt paintings,
:32:38
original Rembrandts.
:32:40
Saskia, up close.
:32:44
And then my hand up close,
:32:47
I mean, this is my project:
:32:50
to film with one hand my other hand.
:32:54
To enter into the horror of it.
:32:56
I find it extraordinary.
:32:58
I feel as if I am an animal,
:33:01
worse, I am an animal I don't know.
:33:06
And here's Rembrandt's
self-portrait,
:33:10
but it's just the same in fact,
always a self-portrait.
:33:19
Maurice Utrillo's
:33:21
we saw in a very small museum
:33:25
in the former City Hall of Sannois.
:33:29
We were going
:33:31
to film nearby, at Herve's,
alias VR99.
:33:35
In the year 2000,
his alias will be VR2000.
:33:39
'Loading up'
:33:41
means retrieving
heavy objects people get rid of.
:33:47
To do so,
:33:48
town councils and city halls provide
:33:53
small maps such as this one.
:33:56
It shows all the streets,
the districts and the days