:49:01
The tower you can see over there,
:49:04
he built with his own two hands
:49:06
to house his still camera equipment.
:49:09
He set up wires and waited.
:49:12
Animals or birds went past,
triggering the camera.
:49:17
That's the hut
:49:18
from which,
:49:20
with his chronophotographic rifle,
:49:22
he broke down the flight of birds.
:49:28
That's Demeny, Marey's assistant,
:49:31
holding the rifle and the film reel.
:49:34
I wonder who the boy
with a bowler hat is.
:49:40
Marey's experimental pictures
:49:43
and film bits,
:49:44
technical prowess aside,
are pure visual delight.
:50:15
Our train leaves Paris
:50:18
and happens to slows down
:50:20
as we pass
Ivry waste collection center.
:50:23
The heart of our topic,
:50:25
since we're going to Prades,
home of our musician Joanna.
:50:28
She met youngsters
who had had a brush with the law
:50:33
for damaging
the trash bins of a supermarket
:50:36
because the contents
had been doused in bleach.
:50:41
I thought I could film them
explaining the case
:50:44
if I met all the protagonists -
:50:47
the youngsters gathered
on the square,
:50:50
the manager of the shop,
:50:53
and the magistrate from the court,
:50:56
who seemed concerned and polite.
:50:58
I wanted to know how
these homeless