:55:11
Herr Doctor!
:55:14
Herr Doctor!
:55:16
You wanted reality,
Herr Doctor, here it is.
:55:19
Well, I'm not a doctor,
but I have dabbled
in pharmaceuticals.
:55:23
- You're the new cameraman?
- Ja.
:55:24
- Paul is setting up
to shoot it now.
- Good.
:55:27
- Art can never move
as fast as life, huh?
- Ah, sure it can.
:55:31
- So, what's the lens?
- It's 35 millimeters, sir.
:55:34
Not my ideal weapon of choice,
but I suppose it will do.
:55:37
- Are you loaded?
- Yes, sir.
:55:39
Good, so am I. Move the camera
ten centimeters to the right,
:55:42
and I'll contrive
a possible two-shot,
but wait for my signal.
:55:45
[ Chattering ]
:55:51
[ Yelling In German ]
:55:54
- Did you get the shot?
- Yes, sir.
:55:56
- And the gate is clean?
- The gate's clean, sir.
:55:59
[ Shouting In German ]
[ Baby Crying ]
:56:02
I hadn't time to properly
prepare the shot.
:56:04
What I should have done
was film the thing
in slow motion.
:56:08
It would have been
incredibly moving.
:56:10
What's that, sir,
slow motion?
:56:12
Well, I run the film
through the camera too fast,
:56:15
then when it's projected
at normal speed,
:56:17
things appear to be
unnaturally slow.
:56:19
Gives everything
a kind of resonance.
:56:22
It's a shame you won't have
the chance to demonstrate...
:56:26
your more esoteric skills
on my production.
:56:30
I'm Albin Grau,
the producer.
:56:34
"And at dawn,
Hutter tried to fathom
the horrors of his nights."
:56:39
Excellent.
Fritz, roll camera.
:56:49
Iris in.
:56:54
Begin.