:26:09
In 197...
:26:14
Don't run off.
:26:17
Don't run off. We need you.
:26:20
You know why?
:26:22
You're why we're here.
:26:24
Your script is why we're here.
:26:27
Big deal, we fight a little bit.
You show me a family that doesn't.
:26:31
But we got something good here.
You know what it is?
:26:34
We're here to make a movie.
:26:37
We can't use the old mill.
That happens.
:26:40
What you got to do is
figure out the essence.
:26:43
What is it that brought us
all here?
:26:46
It wasn't the building, Joe.
:26:49
It was an idea.
:26:50
What is the essence
of your story, Joe?
:26:53
It's about a man
who gets a second chance.
:26:56
Then you write that.
:26:58
And then this is our second chance.
That's why we're all here.
:27:02
I want to make a good film.
:27:03
I know you do.
:27:04
And maybe it will be
a better film without the old mill.
:27:10
Hey, it's with the gods.
:27:11
We don't have the money.
We got to write it out.
:27:15
And that's a lesson.
:27:17
- Did you get your typewriter yet?
- No.
:27:20
Grace, get on the other phone.
Get Mr. White his typewriter.
:27:25
Yeah, Have what's-her-name
send up some nosh.
:27:27
- What do you drink?
- I don't drink.
:27:29
Did my matzos come?
:27:31
Get some for everybody.
:27:33
Thank you.
:27:35
Let me tell you
about my first picture.
:27:58
The chairs go.
:27:59
- The La-Z-Boy goes.
- Not the La-Z-Boy.