:50:02
Hey, Tito Puente, you're outta here.
Thank God!
:50:08
I'm Cliff Lloyd. I'm taking you to the station.
:50:10
You're being offered a position
on Isabella's show.
:50:13
- I knew she would send for me.
- Well, she didn't. The station manager did.
:50:18
He's the one who wants you. She doesn't.
:50:20
My friend, you have
a lot to learn about women.
:50:30
Monica, what am I supposed to do
about this Toninho guy?
:50:33
Oh, my God. I'm sorry.
:50:35
What, honey? Never seen a girl
in her altogether, not all together before?
:50:39
- No, no... I mean, yeah.
- OK, stop.
:50:43
So, you got it bad for Isabella, huh?
:50:46
Yeah, I guess I do.
I mean, what does she see in this guy?
:50:50
Aside from the fact that he is gorgeous,
charming and sings like an angel...
:50:58
No, honey, I am just kidding!
:51:01
This is none of my business,
which makes me more interested,
:51:05
but if you wanna make a move on Isabella,
you may wanna learn about Brazilian women.
:51:11
Like... like what?
:51:14
- Let me see your watch.
- OK.
:51:19
Thanks.
:51:21
TAG Heuer.
:51:24
What the hell...!
:51:26
If you wanna learn about Isabella,
you have to learn about Brazil.
:51:30
- That's a $1,000 watch!
- Brazil is more than a country.
:51:33
See, Brazil, it's a sensation.
It's a mood you can't describe.
:51:38
You can't define it.
You can only feel it. OK? Try, try.
:51:42
It starts in the south in Porto Alegre, see?
:51:47
And it makes its way up to Recife, right?
:51:51
It's the drums of Candomblé,
it's the samba of "Carnaval,"
:51:56
the tom-toms of the Yoruba.
:51:59
You feel it in the soles of your feet,
up to your knees, to your...