:24:01
l've ever had the
misfortune to tackle.
:24:03
How the mighty have fallen.
:24:07
Eh, Phil?
:24:09
lt's seven-fifty a cut,
:24:12
and two quid extra
if you want it washing.
:24:16
Wonderful.
:24:18
Seven-fifty.
l'm in a museum.
:24:20
There's no charge for
using the door.
:24:22
Oh, come on, Phil.
:24:25
l should be the one
bearing grudges around here.
:24:29
Who nicked whose model, eh?
:24:30
Past life, Ray. We could be talking
about another man altogether.
:24:34
So, we won't be seeing
the flashing scissors tomorrow then?
:24:38
- No.
- Well, it's a shame.
:24:41
I'm on for the treble this year.
:24:43
Win it--
Win it this time,
:24:45
l get-- l get this for keeps.
:24:49
Won't that be something?
:24:52
Nice if you like silverware,
l guess.
:24:55
l wonder if you
would have got the treble.
:24:59
You know, if- -
:25:00
if Sandra hadn't done
a runner with Shelley, that is.
:25:03
Don t push it, Ray.
:25:07
Well. . .
:25:10
sorry l couldn t tempt you.
:25:20
Hello. Yes.
:25:23
So what are you doing
staying up at Noah s farm then?
:25:25
Sorry?
:25:29
lt is Christina, isn t it?
:25:33
Brian. You.
How, um--
:25:38
How are you?
:25:39
Oh, not so bad. Not so bad at all.
What about you?
:25:43
Fine, yeah, yeah.
:25:45
- Are you. . .
- Are you- -
:25:47
modeling?
:25:49
Yes. Yeah.
Yeah, l, um,
:25:52
I was coloring too, but. . .
:25:54
l messed up on some wig tests
and Dad's banned me now.
:25:56
So, what about you?
:25:59
Oh, me? No, um. . .