1:02:01
FREDERICK: Hello.
1:02:03
I brought Mary Kelly.
1:02:04
Do you remember Mary Kelly?
1:02:07
Ann...
1:02:08
...you know me,
I'm your best friend in all the world.
1:02:12
Go away.
1:02:14
Go away.
1:02:18
I'm going to find baby Alice.
I'm going to take care of her.
1:02:23
Alice is laughing to me.
1:02:25
Laughing to me.
1:02:27
Laughing to me all day long.
1:02:31
MARY: It's all right, darling.
1:02:33
What about her father?
1:02:36
Have you seen Alice's father, Ann?
1:02:40
He's a prince.
1:02:43
A prince.
1:02:44
A prince. A prince.
1:02:47
And I'm a queen.
1:02:54
FREDERICK: How do you know
he was a painter?
1:02:56
MARY: He hired us to pose
as artist's models.
1:02:58
What exactly does that entail,
artist's models?
1:03:02
We stood very still, so he could paint us.
1:03:05
What's the matter?
You think I was born a whore?
1:03:08
I'm sorry, I'm an unfortunate, not a whore.
1:03:10
England doesn't have whores...
1:03:12
...just a great mass
of very unlucky women.
1:03:15
So Ann Crook...
1:03:18
...and the painter became lovers.
Is that it?
1:03:21
He married her in a lovely Catholic church.
1:03:24
Saint Savior's.
I was a witness, as a matter of fact.
1:03:27
Married her in a Catholic church?
1:03:31
What do you think they've done
to baby Alice?
1:03:36
MARY: Special Branch dumped her
in Bishopsgate?
1:03:39
FREDERICK: Yeah, as an unknown.
1:03:42
MARY: Why?
1:03:43
FREDERICK: When I find out, I'll tell you.
1:03:46
-Take me to her. You have to.
-No. Not yet.
1:03:49
FREDERICK: I need to know more first.
1:03:53
Look...
1:03:55
...l promise that I'll help you
with baby Alice, but not yet.