:46:02
I'd love to know
what you're doing now.
:46:03
I can't help but feel...
:46:05
I had some small part
in how you turned out.
:46:10
What are you studying?
:46:12
You were always
such a smart little girl.
:46:16
I'm taking a remedial
high school art class...
:46:19
for fuck-ups and retards.
:46:23
Who is this, Enid?
:46:26
It's supposed to be Don Knotts.
:46:28
And what was your reason for
choosing him as your subject?
:46:34
I don't know.
I just like Don Knotts.
:46:38
Interesting.
:46:39
What do we have here, Margaret?
:46:42
It's a tampon in a teacup.
:46:45
I can see that.
:46:47
What can you tell us about it?
:46:48
First of all,
what kind of sculpture is this?
:46:51
It's a found object.
:46:53
That's where an artist
takes an ordinary object...
:46:56
and places it
in an artistic context...
:46:57
and thus, it becomes art.
:46:58
But what can you
tell us about it...
:47:00
in regard
to your artistic intent?
:47:03
Well, I guess I see the teacup
as a symbol for womanhood.
:47:09
Such as tea parties
in the olden days...
:47:11
but instead of tea...
:47:13
I was trying to kind of
confront people with this--
:47:16
This shocking image
of repressed femininity.
:47:19
Right. Exactly.
:47:21
Well, I think it's a really
wonderful piece...
:47:24
and it illustrates perfectly
what I was saying...
:47:27
about not being afraid
to use controversial imagery.
:47:33
Oh. Well, this looks like
the work of Phillip.
:47:43
Hey, you see that guy
over there?
:47:45
- Which one?
- The blond guy over there.
:47:51
He gives me, like,
a total boner.
:47:53
He's, like, the biggest idiot
of all time.
:47:56
You guys
up for some reggae tonight?
:47:59
OK, you're right.